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For a word so often applied to events or stories from long, long ago, myth has a remarkably recent history in the English language. The earliest evidence for the word is from , well after the time when the events themselves are thought to have occurred though it should be noted that the related words mythology and mythic are hundreds of years older — still not as old as Achilles, but not young, either!

One application of myth , however — in the phrase urban myth — is quite new. Curiously, an urban myth does not usually have anything to do with the city: The phrase urban myth has been used to describe such hoaxes since at least These example sentences are selected automatically from various online news sources to reflect current usage of the word 'myth.

See more words from the same year. See the full definition for myth in the English Language Learners Dictionary. See words that rhyme with myth.

Translation of myth for Spanish Speakers. Translation of myth for Arabic Speakers. Encyclopedia article about myth. What made you want to look up myth?

Please tell us where you read or heard it including the quote, if possible. Test Your Knowledge - and learn some interesting things along the way.

Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free! It was easy to demonstrate to the press that an archer on high ground was going to defeat an archer down in the valley.

The Fallen Lords originally supported both software rendering and 3dfx 's Glide hardware acceleration. Soulblighter went into development immediately after The Fallen Lords proved a commercial success.

We had a lot of specific design goals for Myth II. Part of those things are enhancements to the engine as well as the gameplay. There were some things in the gameplay and artificial intelligence that made the original annoyingly difficult, and those were some of the things we wanted to enhance.

In addition to that, we decided to touch basically every facet of the game. We wanted to make the music and sound better, the graphics - so we basically retouched every area of the Myth gaming experience.

New to Soulblighter were moving 3D models within the gaming world, something none of Bungie staff had ever created before. For example, the opening level features a fully functional windmill, and a later level features a drawbridge that closes as the level begins, and which the player must then lower so their army can gain access to a castle.

Although the original game featured the same kind of 3D polygonal models, none of them moved, and implementing this feature proved to be one of the biggest challenges the team encountered in making the game.

For this level, which is set in a large castle, the AI had to be rewritten as two enemy units could be right beside one another but not be able to see each other because of a wall between them.

Previously, two units standing beside one another would automatically attack. Writing this new code into the AI scripting language proved especially difficult for the programmers.

In terms of the game's graphics, as with The Fallen Lords , each level in Soulblighter is constructed on a polygonal mesh. However, the mesh used in the sequel is four times finer than in the original, and hence the graphics are more detailed and smoother.

Also like the first game, although the game world itself is fully 3D, the characters populating each level are 2D sprites. However, the sprites in Soulblighter have many more frames of animation than those in The Fallen Lords , and so move much more smoothly.

The reason we went with sprites for the characters is because in Myth you can have one hundred units on the screen at the same time, and if they were all polygonal models, even those with the fastest home computers wouldn't be able to play the game.

When Soulblighter was released, Bungie included the "Fear" and "Loathing" programming tools, which allowed players to create new units and maps.

Recon , saying "This kind of plug-in was exactly what the Myth II tools were intended to inspire, and is an excellent sign that Myth mapmakers are taking this game world in fascinating new directions.

In , Bungie sold Addressing the issue of remaining faithful to the two previous games whilst still introducing new elements to the franchise, MumboJumbo president Mark Dochtermann explained the developers did not intend to reinvent the series' basic gameplay, although they were keen to try out new things; "There's a lot left to explore in the Myth franchise even before we go in a somewhat different route.

Although, we are taking a [new] route in terms of adding 3D acceleration, 3D models, and doing stuff with the terrain engine and physics that are still way beyond what the other RTS games are doing right now.

We don't care to change the whole appeal of the game just so we can call it ours. Executive producer Mike Donges explains, "they're our Myth lore experts, so if we try to put in something new, they have the ability to [reject it].

Although The Wolf Age was built using Soulblighter 's source code, the developers made significant changes, the single biggest of which was that everything in The Wolf Age is rendered in OpenGL 3D, including the characters and all environmental objects.

So when you have explosions, and when your units move through the world, the trees will respond.

And not just blowing them up. You'll see the shock waves from explosions, and you're affecting the environment a lot more. It's a lot more realistic.

Regarding the programming tools used to create the game, MumboJumbo initially began by using Bungie's "Fear" and "Loathing". However, they never intended to use them for very long, with the plan always being to develop their own tool.

Speaking a few months into development, Campbell stated, "we are planning on doing a merger of the tools later on [ The Wolf Age went gold on October 17, , [95] completing a development cycle of only ten months, a relatively fast time to develop a major video game.

On November 16, lead programmer Andrew Meggs posted on Mythvillage. In a post titled "Some ugly, but honest truths", Meggs wrote.

The basic reason was that there was no next project lined up and funded, nor was there expected to be in the near future, it's expensive to keep a team of salaried people around doing nothing, and MumboJumbo was not a huge business with infinitely deep pockets.

There's a tangled web between the MumboJumbo Irvine project team, its parent company United Developers and the game's publisher Take-Two.

I wouldn't blame anyone specifically for the collapse - call it everybody's fault if you're the angry sort or nobody's fault if you're charitable. Meggs explained the team knew there were problems with the Windows version of the game that needed addressing, but, as they had been fired, they were unable to do so.

He stated they had been working on a patch to fix many of these problems when they were let go, and he was unsure if this patch would be released.

He also acknowledged that many of the criticisms regarding bugs in the game would have been addressed by the patch.

They also announced the patch Meggs had spoken of would be released within the week. Chimera , they ceased working to develop the game's source code, as Microsoft wanted them to concentrate on Halo.

Despite the official end-of-life , the Myth series continued to have an active online fanbase, particularly Soulblighter. The first organised group of programmers, artists and coders from the game's community were known as MythDevelopers, who asked for, and were granted access to the source code so as to continue its development.

MythDevelopers used this material to improve and further develop the games. Although their initial focus was on the bug-ridden release version of The Wolf Age , [] they also worked to update the first two games to newer operating systems on both Mac and PC, fix bugs, and create unofficial patches to enhance both the games themselves and the mapmaking tools.

This enabled MythDevelopers to avoid the necessity of licensing any external libraries, and instead allowed them to develop everything in-house. This was part of their deal with Take-Two, as they couldn't incorporate anything into the games which they would be unable to give Take-Two the rights to should the company ever ask for the source code back; all modifications remained the intellectual property of Take-Two, who were free to use them in a future commercial version of Myth , if they ever wanted to re-release an upgraded version of one or more of the games, or incorporate the modifications into the development of a new Myth game.

In April , MythDevelopers released a v1. Fixing over forty gameplay and stability issues, and addressing numerous bugs, the patch also included new multiplayer maps and gameplay modes.

Soulblighter received considerably more attention from the modding community than either The Fallen Lords or The Wolf Age.

Between and , Project Magma released multiple major patches, each of which included fixes for bugs, graphical problems, gameplay problems, and interface issues, as well as improve the Fear and Loathing tools and the online multiplayer mode.

However, each patch also tended to feature one or more "major" enhancement. Additionally, as the developers did not have access to The Fallen Lords source code when designing v TFL , the feature was unreliable.

During development of v1. Prior to disbanding, MythDevelopers created and operated PlayMyth. MariusNet had been online since just prior to Bungie's Myth servers going offline, and was officially approved by Bungie.

The Bungie servers had not supported The Fallen Lords since November , and the community believed the servers would soon close for Soulblighter as well.

Dave Carlile, the main programmer of the server, explains. We started with some information about the Myth 2 network protocol , and hoped Myth 1 was the same or very similar.

We initially made a partial Myth 2 server to get the basics down, then spent hundreds of hours figuring out the differences in packet structure in Myth 1.

Classic Myths Mary Catherine Judd. The Harbor Ernest Poole. Myths are "stories about divine beings, generally arranged in a coherent system; they are revered as true and sacred; they are endorsed by rulers and priests; and closely linked to religion.

Once this link is broken, and the actors in the story are not regarded as gods but as human heroes, giants or fairies, it is no longer a myth but a folktale.

Where the central actor is divine but the story is trivial Roud, "Dictionary of English Folklore," Oxford, , p. Nearby words for myth mystified mystify mystique mysuru mytacism myth.

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